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Copyright 1997, 1998, 1999, 2000, 2001 K. Weston,
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Two
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Major" by Ludwig Von Beethoven.Click Here to
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No, I was not painting at an early age, a brush attached to my pacifier
and using strained peas, carrots and beets for pigments... I NEVER
PAINTED A LICK UNTIL I WAS 50 YEARS OLD. I was always creative, but
never in God's world thought that I would ever be an artist, much less paint
pictures of people that actually LOOKED LIKE the people!!!
When I was nearing 50, my oldest daughter began tole painting. She was (and
is) very good at it. I was dying to try it...so I did. I immediately became
frustrated because I didn't want to use their colors and
their little wooden thingees. So I learned the techniques and
I began to study color, technique, composition, perspective, and all that
stuff. I learned to tole paint pretty well and began teaching, but I still
kept studying. On my own. Wore out every library in the high desert, where
I lived at the time. Started what has become a major addiction for art
books.
I studied and tried every medium. Bought every kind of art supply for every
medium. Didn't feel like I was getting very far. Got frustrated with
watercolor... my favorite medium... because it's a difficult medium, even
more difficult to learn on one's own. A teacher would have made it easier
and I couldn't find one.
Like many people, I watched William Alexander on T.V., even bought one of
his kits. It sat, unopened, for a year. Then I decided to give it a try and
my first painting was a dismal flop. And I couldn't stand the smell of the
turp. But I pressed on and did a couple more... which were okay. One of them
was a copy of someone else's work, the last copy I have ever done. I felt
that I improved on the original, but it was still a copy and by then I was
learning about copyright.
So I nearly gave up. And I owe where I have come today to a friend who suggested
that I try Turpenoid©, a nearly odorless turp substitute, and then started
helping, pushing, prodding, etc., because she believed in me and my talent.
So I started doing oil paintings in late 1993 and I painted along and won
awards for every painting from the fourth one on and I began to think that
maybe I actually had some talent..... and I kept buying and reading art books...
and Joyce kept helping me. But then the traitor moved home to Arizona, just
because she felt she oughta go with her husband... Golly, I don't understand...
they've only been happily married for 40 years or something...what's the
big deal?????
In early 1996, I was chosen as Artist of The Month at the college in my area
and I finally got my name in lights and got to have a one-woman exhibition
there for the entire month of May, 1996.
In June of 1996, my father died. I had offloaded my hasbeen earlier in the
year (just couldn't stand his girlfriend's personality), and
both of my mothers-in-law died within a short time, one just before my dad
and one just after. Then I gave notice at the college, intending to leave
my job, my home and all my friends and move to Bellflower (near Long Beach)
California, to deal with my father's estate and make a new start in life.
A week before the scheduled move, a child at my work jumped on me, fracturing
two vertebra and rupturing three discs. A moving company moved my belongings
but I, personally, could not move my personal body and spent the next several
months just lying about at my new home, in nearly total isolation.
Because of all that stuff, I did not paint from May of 1996 until the spring
of 1997. I was unable to paint. I was too crippled and sad and confused to
paint. I even thought that I had lost the ability to paint. I was definitely
sitting on the pity potty! I finally remembered something that another
dear friend, Susan Chord, had said to me, "Get off the cross...we need the
wood..." and began to slog my way out of the mire.
In the spring of 1997, I found
a wonderful local artist, Rafael Maniago, painting on a street corner...
painting a landscape including an old church. I stopped to talk with him
and later painted with him as often as possible. If you ever go to Disneyland
on a Wednesday, he's the guy doing the best pastel portraits..... I
have added a page with a couple of his paintings (including the church) to
my site... you'll run across it if you keep going or you can use the link
at the top of this page.
I have changed my style - I now paint in a more impressionistic style and
my colors are brighter and more lively - this is not necessarily better or
worse than my previous style, it just happens to be what I'm doing right
now. And I am enjoying the heck out of it because it is a fun process....
I will be posting photos of those paintings, as well as the Mexican ones
painted for my exibition, as soon as I find a new photographer. Photographing
paintings is a very tricky business... anyone can do it, but few can do it
well..... one needs a person who is an artist, a photographer, and who has
photo processing equipment. My previous photographer, Adrian Duran, had the
temerity to move to a mountaintop in New Mexico, where he enjoys the view
of forever and paints and paints and paints. While I languish here in Southern
California, bemoaning the fact that I have no photographer
(sniff).
11/01/97 Scratch that... I finally found a new photographer and he wanted too freaking much money to photo paintings... so I am about to do them myself.....
11/08/97 They're HERE!!! I did them!
10/17/2000 - And you already saw them because I rearranged
my pages to put this page AFTER all the paintings. I have more paintings
now, just have not had time to photograph them.
Anyway, my point here was that if
I can do that, you certainly can... if you're interested in doing it, start
now... read books, visit galleries, study all you can, find someone to help
you, discard bad teachers, paint, paint, paint.... you will be happier for
it. It's waaaaaaaaayyyyyy cheaper than counseling.
Art is not about learning to paint or draw or sculpt, it is about learning
to SEE, either what is really there or what is in your mind's
eye or in your heart... it is about making other people feel what you feel
about a certain thing, person, place, or whatever. It is not about getting
a photographic reproduction of whatever the subject is... someone said that
if a photographic reproduction of something is the best art, then the
photographer is the best artist.
You paint what you like... don't ever paint solely for commercial
purposes or you will become a hack and painting will become work...I could
probably make a heck of a lot more money if I were willing to stick to one
"subject" or "style" in other words, to paint essentially the same
painting over and over and over. But my soul is much more important to me,
so I continue to paint the things I love and/or the things that touch my
spirit, in whatever manner suits me at the
moment.
Please feel free to leave
messages in my guestbook - let me know what you like, what you don't, ask
questions, etc. Now we'll move on to more of my site. We're through with
paintings, so we can look at some writing...
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